“Thoroughly researched and backed by vivid examples from its most important practitioners, this much needed study provides significant insight into the evolutionary role of the guitar in Latin Jazz. An authoritative guide for any guitarist wishing to incorporate the elements of Afro-Cuban music to his playing!”
— Richie Zellon
“Neff has filled an important void in Latin jazz guitar by compiling a mammoth wealth of information in a very organized manner, paving an easy journey for guitarists looking to expand their knowledge of Latin music and its intricacies. You have an incredible resource in your hands. A very important contribution to the whole jazz guitar community.”
— Jorge Laboy
“This work will make a significant contribution to the field of guitar study for generations to come. If you're interested in contemporary jazz, world music and the vast dimensions of authentic Latin guitar styles, this is the book for you!”
— Rick Peckham, Guitar Professor, Berklee College of Music
“Ay Caramba! What a delicious collection of Latin Jazz possibilities for the guitar! Neff Irizarry has built a book richly filled with great sounding essentials and then portrayed in context by the Latin Jazz masters. Beautiful sounding grooves: clave, tumbao, cuatro, and requinto come alive in examples drawn from Neff's own compositions as well as from the standard repertoire. The play-along tracks are inspiring as well as his technical suggestions: including how to hook up with the pianist, always a tricky subject!”
— Jon Damian, Professor Emeritus, Berklee College of Music
“Irizarry has done an incredible job of creating a full suite of learning resources: notation (traditional notation, jazz lead sheets, guitar fingering, and rhythm charts), reference recordings, example pieces, video tutorials, and play-along compositions. It's really amazing to see how many resources have been meticulously researched, created, and crafted together in this book. The book is a worthwhile addition to any guitarist's library, and a requisite addition to any guitarist looking to play latin jazz.”
— The Guitar Journal